Symposium and Workshop
“Archiving and Re-performing Electro-Acoustic Music”

December 14. – 15., 2018
Bayreuth University

Program Symposium

Friday, December 14, 2018 (updated)
13.00 – 18.30 p.m.
Campus GW II, H27

13.00 p.m.                  Welcome and Opening

Miriam Akkermann, Universität Bayreuth (GER)

13.30 – 14.30 p.m.     Panel 1: Re-performance / Re-construction

João Romão, MPI/HU Berlin (GER):
Music-technical labour: Kontakte’s realisation score as a cultural artefact.

Kevin Dahan, DeMontfort Universtiy Leicester (GB)
Reconstruction as preservation strategy

14.30 – 15.00 p.m.     Coffee Break

15.00 – 16.30 p.m.     Panel 2: Preservation / Archiving

Hannah Bosma, (NL):
Preservation as performance: liveness, loss and viability in electroacoustic music

Laura Zattra, Konservatorium A. Boito, Parma/Konservatorium F. Venezze, Rovigo (I):
The Preservation of Electroacoustic Music Heritage throughout Italy

Serge Lemouton, IRCAM Paris (F):
Preservation strategies for the electroacoustic works from Ircam and other french national centers for musical creation

16.30 – 17.00 p.m.     Coffee Break

17.00 – 18.30 p.m.      Panel 3: Archiving projects in progress

Julia Heimerdinger, Universität für Musik und darstellende Kunst, Wien (AUT):
Digital collections in music research. An experience report

Martin Roth, Universität Leipzig (GER):
Play as Research: Establishing a (multilayered) research infrastructure for Japanese video games

Henrik von Coler, Technische Universität Berlin (GER):
The TU-Berlin Archive and the EMDoku – Use, Maintanance and Future